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Walter Benjamin (1892–1940)

Author of Illuminations: Essays and Reflections

517+ Works 16,222 Members 116 Reviews 72 Favorited

About the Author

Walter Benjamin (1892-1940) was a German-Jewish Marxist literary critic, essayist, translator and philosopher associated with the Frankfurt School of critical theory.

Series

Works by Walter Benjamin

Illuminations: Essays and Reflections (1968) 3,551 copies, 24 reviews
The Arcades Project (1982) 1,676 copies, 10 reviews
The Origin of German Tragic Drama (1928) 508 copies, 1 review
Berlin Childhood around 1900 (1950) 502 copies, 7 reviews
One-Way Street (1928) 323 copies, 2 reviews
One Way Street and Other Writings (1928) 315 copies, 3 reviews
On Hashish (1972) 225 copies, 4 reviews
Moscow Diary (1980) 220 copies, 4 reviews
The Storyteller: Tales out of Loneliness (2016) 192 copies, 1 review
Radio Benjamin (2014) 170 copies, 1 review
Understanding Brecht (1971) 159 copies, 2 reviews
Unpacking My Library: A Talk About Book Collecting (1931) — Author — 148 copies, 2 reviews
Angelus novus: saggi e frammenti (1962) 120 copies, 2 reviews
On The Concept of History (1997) 88 copies, 5 reviews
On Photography (1997) 84 copies, 1 review
Uomini tedeschi. Una serie di lettere (1977) 64 copies, 1 review
Oeuvres 1 (2000) 54 copies
Paris, capitale du xixe siecle (1986) 53 copies, 1 review
Oeuvre, tome 2 (2000) 53 copies
Oeuvres, tome 3 (2000) 52 copies
Denkbilder (1974) 46 copies
Städtebilder (1990) 42 copies
Early Writings (1910-1917) (2011) 38 copies
Ecrits français (1991) 31 copies
Sonnets: By Walter Benjamin (1986) 27 copies
Gesammelte Schriften (1980) 26 copies
Rêves (2008) 23 copies, 1 review
Historias y relatos (1992) 23 copies
Kritiken und Rezensionen (1981) 23 copies
El autor como productor (2011) 20 copies
Ecrits autobiographiques (1990) 20 copies
Walter Benjamin (1991) 19 copies
ENSAYOS ESCOGIDOS (2006) 18 copies
Tesis sobre la historia y otros (2008) 16 copies, 1 review
Briefe (1978) 16 copies
OBRAS LIBRO I VOL II (2008) 15 copies
Tre drammi radiofonici (1993) 15 copies
La metafísica de la juventud (1993) 15 copies, 1 review
Berliner Chronik (1988) 15 copies
Gesammelte Werke (2011) 14 copies
OBRAS LIBRO II VOL II (2006) 13 copies
Son Bakista Ask (2000) 12 copies
Bild och dialektik (1991) 12 copies
Discursos interrumpidos, I (1973) 12 copies
Gesammelte Schriften; BD. 7 (1991) 11 copies
Skrifter i utvalg 2 (2014) 10 copies
Skrifter i utvalg 1 (2014) 10 copies
Juicios de las Brujas y otras catástrofes (2012) 10 copies, 1 review
Passasjeverket I (2007) 9 copies
Valik esseid (2010) 8 copies, 2 reviews
Sur Proust (2010) 8 copies
Parque Central (2014) 8 copies
La tarea del traductor (2017) 8 copies
Essais (1983) 8 copies
Passasjeverket II (2007) 8 copies
El coleccionismo (2022) 7 copies
Lettere 1913-1940 (1978) 7 copies
La dialectica en suspenso (2002) 7 copies
Discursos interrumpidos (1901) 7 copies
Scritti 1923-1927 (2001) 7 copies
Ecrits radiophoniques (2014) 6 copies
Philosophie du langage (2020) 6 copies
Sur Naples (2019) 6 copies
Ausgewählte Werke (2015) 6 copies
Le Surréalisme (2013) 6 copies
Ein Lesebuch (1996) 6 copies
Stadt des Flaneurs (2015) 5 copies
Racconti (2019) 5 copies
Karl Kraus (2018) 5 copies
Aura a stopa (2007) 5 copies
Über Literatur. (1969) 5 copies
Kulturkritiske essays (1998) 5 copies
Dos ensayos sobre Goethe (2000) 5 copies
Scritti 1930-1931 (2002) 5 copies
Kleine Kunst-Stücke (1989) 5 copies
Art i literatura (1984) 5 copies
Estética y política (2009) 4 copies, 1 review
Beroliniana (2001) 4 copies
Sobre Baudelaire (2023) 4 copies, 1 review
Ensaios sobre Literatura (2016) 4 copies
Tentativas sobre Brecht (1990) 4 copies
Språkfilosofiska texter (2013) 4 copies
Kulturindustri (1973) 3 copies
Récits d'Ibiza (2020) 3 copies
Haschich à Marseille (2013) 3 copies
Scritti 1906-1922 (2008) 3 copies
Scritti autobiografici (2019) 3 copies
Benjamin-Fikir Mimarları 4 (2005) 3 copies, 1 review
Sonhos 3 copies
París (2013) 3 copies
Scritti 1934-1937 (2004) 3 copies
Escritos sobre cine (2017) 3 copies
Ensayos escogidos (2014) 3 copies
Estetize Edilmis Yasam (2015) 3 copies
Wobec faszyzmu (1987) 3 copies
Ensrettet gade (2021) 3 copies
Scritti 1932-1933 (2003) 3 copies
Sonetti e poesie sparse (2010) 3 copies
Kurze Prosa (2013) 3 copies
Filosofía del lenguaje (2025) 3 copies
Lettres françaises (2013) 3 copies
Diários de Viagem (2022) 3 copies
Franz Kafka (2024) 2 copies
Obras Libro 1 / vol. 2 (2006) 2 copies
Flanör (2017) 2 copies
Podroze wyobrazni (2021) 2 copies
Cuadros de un pensamiento (1992) 2 copies
Narratori 2 copies, 1 review
Napoli porosa (2020) 2 copies
La tarea del crítico (2014) 2 copies
Mickey Mouse (2014) 2 copies
Selbstzeugnisse (2016) 2 copies
Les chemins du labyrinthe (2005) 2 copies
le coeur froid (2019) 2 copies
Das Passagen-Werk. 2 Teilbände — Author — 2 copies
Erfahrung 1 copy
Escritos sobre Kafka (2024) 1 copy
Moskvadagbok (2025) 1 copy
PARILTILAR 1 copy
Literatura oharrak (2015) 1 copy
Raster 13 1 copy
Dernières lettres (2014) 1 copy
Rundfunkarbeiten (2016) 1 copy
Eseji 1 copy
Essai (2015) 1 copy
Esrar Uzerine (2012) 1 copy
Scritti politici (2011) 1 copy
Fotoğraf Yazıları (2019) 1 copy
Parıltılar 1 copy
*ANY 1 copy
Diario de Moscova (2022) 1 copy

Associated Works

Berlin Alexanderplatz (1929) — Contributor, some editions — 3,120 copies, 43 reviews
Elective Affinities (1809) — Afterword, some editions — 2,292 copies, 28 reviews
The Art of the Personal Essay (1994) — Contributor — 1,516 copies, 11 reviews
Aesthetics and Politics (2007) 762 copies, 2 reviews
Literary Theory: An Anthology (1998) — Contributor, some editions — 743 copies, 1 review
Packing My Library: An Elegy and Ten Digressions (2017) — Contributor, some editions — 624 copies, 23 reviews
Art After Modernism: Rethinking Representation (1984) — Contributor — 245 copies
Unpacking My Library: Architects and Their Books (2009) — Contributor — 216 copies, 4 reviews
Cultural Resistance Reader (2002) — Contributor — 155 copies
Walking in Berlin: A Flaneur in the Capital (1929) — Introduction, some editions — 155 copies, 1 review
The Conspiracy (1938) — Contributor, some editions — 145 copies, 2 reviews
Jean Renoir (1973) — Contributor — 109 copies
Karl Blossfeldt : The alphabet of plants (1997) — Contributor — 45 copies, 1 review
The Analog Sea Review: Number Four (2022) — Contributor — 6 copies
The Sociology of Risk and Gambling Reader (2006) — Contributor — 6 copies
Walter Benjamin (2013) — Contributor — 4 copies
i 10 : internationale revue, 1927-1929 (1979) — Contributor — 2 copies

Tagged

20th century (203) aesthetics (186) architecture (49) art (229) autobiography (52) Benjamin (260) critical theory (320) criticism (198) cultural studies (115) culture (55) essay (194) essays (566) Frankfurt School (246) German (226) German literature (200) Germany (163) history (175) literary criticism (429) literary theory (141) literature (189) Marxism (157) memoir (67) non-fiction (429) Paris (83) philosophy (1,384) photography (69) theory (340) to-read (677) translation (90) Walter Benjamin (246)

Common Knowledge

Canonical name
Benjamin, Walter
Other names
Benjamin, Walter Bendix Schoenflies
בנימין, ולטר
Birthdate
1892-07-15
Date of death
1940-09-27
Gender
male
Education
Humboldt University of Berlin
University of Freiburg
Ludwig Maximilian University of Munich
University of Bern (Ph.D|1919)
Occupations
philosopher
literary critic
art critic
translator
Organizations
Institute for Social Research, Frankfurt
Relationships
Kolmar, Gertrud (cousin)
Scholem, Gershom (friend)
Brecht, Bertolt (friend)
Koestler, Arthur (colleague)
Short biography
Walter Benjamin was born to a Jewish family in Berlin, the eldest of three children. His parents were Pauline (Schönflies) and Emil Benjamin, a banker and businessman. Walter attended a progressive co-educational boarding school in Haubinda, and the universities of Freiburg, Berlin, Munich, and Bern. He married Dora Sophie Pollak, with whom he had a son. In 1919, Benjamin earned his PhD summa cum laude at the University of Bern with a dissertation called Der Begriff der Kunstkritik in der deutschen Romantik (The Concept of Art Criticism in German Romanticism). He returned to Berlin and worked as a literary critic and translator. His celebrated 1924 essay on Goethe's novella, The Elective Affinities, put into practice his ideas of art criticism. His book The Origins of German Tragic Drama, published in 1928, quickly received favorable attention from leading critics in Germany and abroad. Benjamin made plans for publishing a left-wing periodical to be entitled Crisis and Critique while eking out a living as a translator and freelance writer. In 1933, he left Nazi Germany, following Bertolt Brecht and many other Jewish friends into an exile he divided between Paris, Ibiza, San Remo, and Brecht's house in Denmark. With the outbreak of World War II in 1939, Benjamin was temporarily interned in French camps for German citizens. On his release, he returned to Paris and continued his work in the Bibliothèque Nationale before being forced to flee the invading German army in the summer of 1940. He found refuge with the Emergency Rescue Committee in Marseille led by Varian Fry. He joined a guided party that crossed the Pyrenees on foot and tried to enter Spain, but they were turned back by customs officials. In despair, and thinking he was going to be turned over to the Nazis, he committed suicide in the small Spanish border town of Portbou. The posthumous publication of his prolific writings significantly increased his renown in the later 20th century.
Cause of death
suicide
Nationality
Germany
Birthplace
Berlin, Germany
Places of residence
Berlin, Germany
Munich, Bavaria, Germany
Bern, Switzerland
Ibiza, Spain
Paris, France
Place of death
Portbou, Spain
Burial location
Portbou, Spain

Members

Discussions

zenomax: the small hidden door in Club Read 2011 (July 2011)
Anyone reading Walter Benjamin? in Philosophy and Theory (July 2008)

Reviews

135 reviews
Hegel, Napolyon’u atının sırtında görünce onu Geist zannetmişti. Marx ise proleteryada aynı şeyi gördü. İşte tam buna Benjamin mesih diyordu, mesihçi düşünce diyordu. Belki de Batı mesihçi düşünce diyordu. Belki de Batı düşüncesi başından beri hep aynı şeyin peşindeydi. Ortaçağdan modernliğe geçerken bu düşünce ana eksenini değiştirmedi, sadece hedefe varmak için kullandığı araçları değiştirdi. Görev tanrıdan insana devredilmişti. Teolojik show more içerik laik bir dile tercüme edilmişti. Kurtuluş motifi Batı düşüncesinin ciğeridir. Bunu bir mesih, bir peygamber, bir tarihsel kahraman ya da bir toplumsal sınıf başaracaktır. Bunlar aynı soruya yönelik farklı yanıtlardır. Soru hiç değişmemiştir. Aslında proleterya-mesih terminolojisini ilk kullanan Lukacs’dır. Lukacs, 1918’de yazdığı "Ahlaki Bir Sorun Olarak Bolşevizm" başlıklı yazıda proleteryayı "dünya tarihinin mesih-sınıfı" olarak nitelemiştir. İşte Benjamin’in Tarih Tezleri sadece bunu anlatır. "Bizler bu dünyada bekleniyorduk." Benjamin sanki aydınlanmanın yaptığının tersini yapmaya çalışır. Weber demişti ya: dünyanın büyüsünün bozulması. O, dünyayı tekrar büyüsüne kavuşturmaya çalışır. Onun düşüncesinde ilerlemenin, gelişmenin, evrimin zerresine rastlanmaz. Tarihi akışına bırakmak, onu egemenlerin oyuncağı kılmaktır. Onun amacı tarihi tersine işletmektir sanki. Tarihi tersine taramak. Evet bunun adı devrimdir. show less
Although he wrote these essays when he was young, in his first thirteen years of writing, they belie his youth and ooze confidence while displaying a vast range of reading. His perspective on tragedy suggests studying both history and art in the quest to find significance in the terrible. The analysis of critique of German romanticism looks deeply into the inspiration behind the criticism as well as the ideas of intellectuals like Schelling and Fichte.

Benjamin consistently offers insights show more that continue to be relevant more than a century later, whether he is discussing the nature of translation or explaining how we use language. His reflections on the nature of being, along with the prerequisites for writing and the appropriate format for expressing ideas, most inspired me.

The writings by Walter Benjamin collected here offer opinions on a wide range of subjects, including language, translation, criticism, tragedy, and writing. Their superior writing and thoughtfulness are the only things they have in common. There is a message that emanates from a curious mind and permeates the pages of this anthology, regardless of how basic or flippant it may appear. His Arcades project is complemented by three volumes of essays, the first of which is this one. It is a good place to start exploring this writer who challenges you to think seriously about ideas.
show less
A deeply weird little volume. It would be hallucinatory if it wasn't so intensely engaged with lived reality.

An elegy for a way of life never actually lived, a collection of surprising metaphors, and much more...
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century show more Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age. The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded... show less

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Associated Authors

Joel Smith Author
Esther Leslie Translator
Jonathan Lutes Translator
Diana K. Reese Translator
Thijs Lijster Composer, Introduction
Jan Sietsma Composer, Translator
Carl Skoggard Translator
Harry Zohn Translator
Ivars Ījabs Translator
Leon Wieseltier Introduction
Valdis Bisenieks Translator
Robert Anthony Cover designer
Edmund Jephcott Translator
Kevin McLaughlin Translator
Howard Eiland Translator
Jaume Creus Translator
佐々木 基一 Translator
David Pearson Cover designer
J. A. Underwood Translator
Karl-Heinz Ott Afterword
Igors Šuvajevs Translator
Wil van Gerwen Translator
Greil Marcus Preface
飯吉 光夫 Translator
Linnéa Deurell Translator
Sam Dolbear Translator
Paul Klee Illustrator
Isaac Tobin Cover designer
山口 裕之 Translator
Jiří Brynda Translator
Martin Ritter Translator
平野 甲賀 Designer
Vilnis Zābers Illustrator
Aleksi Lohtaja Afterword

Statistics

Works
517
Also by
21
Members
16,222
Popularity
#1,400
Rating
4.0
Reviews
116
ISBNs
949
Languages
27
Favorited
72

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